Maeve Caldwell
“The kind of editor's-room presence brands keep wishing they could rent.”
Twenty-eight creators, hosts, and on-camera talent — chosen for taste, not follower count. We manage their brand work the way we manage our PR clients: deliberately, in writing, with an editor's eye on the narrative each placement builds.
A working stylist before she was a working face — Émilie reads a brand brief the way an editor reads a brief, and her camera work shows it. Recent: Sephora Canada brand spot, ELLE Canada cover, FASHION Magazine quarterly column. She's selective. We protect that.
“The kind of editor's-room presence brands keep wishing they could rent.”
“Three syndicated radio hits and a podcast that actually goes somewhere.”
“Carries a campaign without overcarrying it. Knows when to sit still.”
“The translator brands keep needing for product films that aren't infomercials.”
“Works in three languages, photographs in one — quietly excellent.”
“Rare combination of editorial trust and brand trust — both sides keep calling back.”
“The longform writer brands hire when the campaign needs to feel like a story.”
“Built a 340K following on craft, not algorithm — and the campaigns show it.”
“On-camera talent who reads a brief the way a working editor does.”
“Hosted three Y Combinator demos and a Stripe Sessions panel without breaking a sweat.”
“The chef who became the writer — both halves still working.”
“Quietest brand voice in our roster, and the most-requested for it.”
Tell us the campaign and the dates. We'll come back with a shortlist of three from the roster — pre-screened against your brand and the work they've already done. No bidding war. No "anyone available?" Just the right call.
Begin a booking →If you're working — editorial, on-camera, in a kitchen, in a studio — and you're ready for proper management on the brand side, send us your reel and a paragraph in your own voice. We read every application.
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